Biography

Timothy J. Clark's watercolor and oil paintings are represented in permanent museum collections including The Butler Institute of American Art in Youngstown, Ohio, Maine's Farnsworth Art Museum, and the Smithsonian/National Portrait Gallery in Washington DC. The artist's sketchbook of drawings of Ground Zero, created at the still-smoldering site within days of the attack, were acquired for the collection of the Museum of the City of New York.

A mid-career retrospective of Clark's work opened at the Pasadena Museum of California Art in January 2008, then traveled to the Butler Institute of American Art in Ohio in June, and to the Whistler House Museum of Art in Lowell, Massachusetts in August. Hammer Galleries mounted a solo exhibition of his paintings, Sense of Solace, in New York in January/February 2009 which was enthusiastically reviewed by Art Times in their March 2009 issue.

In conjunction with Clark's retrospective, a book, Timothy J. Clark, was published in January 2008 by Pomegranate Communications, and also served as an exhibition catalog. With an introduction by Will Barnet, a biographical essay by the noted authority on California art and director of California's Irvine Museum, Mr. Jean Stern, a critical essay by renowned art historian and award-winning author Dr. Lisa Farrington, and an afterword by Ira Goldberg, director of the Art Students League of New York, the book provides a thorough review of four decades of the artist's work including drawings, oils and watercolor paintings. In the book, Dr. Farrington writes of Clark's paintings as "diffidently profound documents of human existence," and she notes his "almost uncanny ability to infuse rudimentary and inert objects...with something akin to a human soul."

Fine Art Connoisseur magazine featured Clark and his work in an illustrated article "Timothy J. Clark: Master of Color, Light, and Shadow" in the July/August 2008 issue. An illustrated article on Clark and his work also appeared in the October 2, 2008 issue of Coastal Journal in Maine.

Clark's recent awards include the William A. Paton Award at the National Academy's 175th Exhibition, the President's Award in 2003 and the Salzman Award in 2004 in the National Arts Club's annual exhibiting members show, and the Watercolor Award in the Allied Artists annual exhibition in 2005, all in New York City. He received Best of Show at the Von Liebig Art Center's exhibition, Political Animals: Donkeys and Elephants in American art, in Naples Florida in 2008. Paintings by Clark have been exhibited in international exhibitions at the Allied Museum in Berlin, Germany, the Danubiana Museum in Bratislava, Slovakia, and the Topkapi Museum in Istanbul, Turkey.


A faculty member at the Art Students League in New York, Clark has also taught at the University of Hawaii at Hilo, the Worcester Museum of Art in Massachusetts, the National Academy School in New York, and Yale University's Graduate School of Architecture's Continuity and Change Program in Rome. He was named one of the "20 Great Teachers in America" by Watercolor magazine in Fall 2006 and again in 2009. He is featured in a richly illustrated interview, "Artist to Artist," in the Summer 2009 issue of Watercolor magazine.

Clark, a graduate of the California Institute of the Arts and the Chouinard Art Institute, serves on the Cal Arts Alumni Board in Valencia, California.
 

 
 
 
Selected Comments on Timothy J. Clark’s Work



Will Barnet, N.A., has observed, “Woven through Timothy J. Clark’s paintings are unique combinations of visual and emotional stimuli....His sense of space, light and composition combine to create graphic tensions which intrigue beyond the beautifully-painted forms of the subjects.”

Dr. Lisa Farrington, award-winning author and art historian, writes in Timothy J. Clark: “Clark’s ostensibly forthright watercolors...not only are glittering in their execution – bathed in sunlight, swathed in shadow, shimmering with sure-handed yet expansive and textured brushwork on papers by Fabriano, d’Arches, and Winsor & Newton – but also embody the postmodern concept of art-as-idea. These are no ‘pretty pictures,’ but diffidently profound documents of human existence.”

Donald Holden, N.A., author, editor and artist, says, “Timothy J. Clark’s delicious watercolors remind me of the Italian word for a particularly fluent, graceful, and refreshing performance in any of the arts – sprezzatura, which means making a difficult task look effortless, like the relaxed, soaring leap of a superb athlete who has spent years preparing for this moment of triumph.”

Jean Stern, Director of the Irvine Museum in Southern California and a noted authority on American art, has commented. “Timothy J. Clark sees things ordinary people can’t. Clark, one of the finest artists of this time, is among my favorite painters. With a fidelity to his own artistic vision, he paints in the rich traditions of Sargent and the American Impressionists. His masterful drawing, heightened sense of color and light , and comprehensive compositions testify to decades of dedication as an artist. His sensibilities range from quiet and poetic to vigorous and emotional.”

 
 
 
Recent reviews and articles by and about Timothy J. Clark
 
 
 
"Timothy J. Clark at Hammer Galleries,"
by Raymond Steiner, Art Times, Mt. Marion. NY, March 2009

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"Artist-to-Artist,"
Lynne Bahr, Watercolor Magazine, New York, NY, Summer 2009 issue

read article
 
 
 
“The Vision of Timothy  J. Clark,” Avery Hunt, Special to the Coastal Journal, Fall  2008.

read review

 
 
 
“Timothy J. Clark: A Retrospective at the Butler Institute of American Art,”
artdaily.org — The First Art newspaper on the Net, June 19, 2008.

read review
 
 
 
“Focus on Clark,” Calendar, Los Angeles Times, January 31, 2008
 
 
 
“Timothy J. Clark: Master of Color, Light, and Shadow,” Kelly Compton, Fine Art Connoisseur, New York, July/August 2008

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"Exhibit at Keyes has easy-to-like landscapes and people", Camille Howell, Springfield News-Leader, Springfield, Missouri, May 1, 2005.

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“Luminaries at the League, Now All Over Town,” by Holland Cotter, The New York Times, September 9, 2005

 
 
 
"In the Eye of an Artist" by Richard Chang, The Orange County Register, Santa Ana, California, September 10, 2002
 
 
 
"From the Editor", Peggy Kennedy, Victoria Magazine, NY, NY, June 2002

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"True Colors at Meridian" by Gary Tischler, The Georgetowner, Washington, DC, April 4, 2002
 
 
 
"Painting by Painting, Room by Room: West Bath Artist Immortalizes Family Home" by Virginia Wright, The Times Record, Brunswick, Maine, May 11, 2000
 
 
 
"His Art and Soul" by Brad Bonhall, The Los Angeles Times, CA, March 27, 2000.

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